Posts Tagged ‘Starship Farragut’

A “Big Bang” for Costumed Trekkies!

03/21/2011

It was Wednesday, February 9th around 3:30 PM when I received a call from Joe Salcedo, CEO and co-founder of ANOVOS asking me if I could shift one of our current projects into warp following a request CBS Television. I had already been one of their main advisors and collaborators with previous projects. They were engaged to see if they could provide an exacting replica of the formal dress uniform worn by Captain Kirk for an episode of THE BIG BANG THEORY. They needed it quick as it needed to be at the Burbank studio early on Monday morning… luckily, this was something that we had already started working on together, I just didn’t expect it to be shifted to the warp speed timeline. Having just gotten an arduous roller coast of proposals to the government working long hours and several weekends, I initially declined citing I needed to rest and catch up on personal things on the home front; however, some good coaxing from both ANOVOS principals, Joe and Dana Gasser (COO and co-founder), I accepted the challenge.

Prior to committing, I had asked them if the tunic was going to be worn by the actor or used as a prop.  They got confirmation from CBS Television that it was merely going to be used a prop – one of two Star Trek tunics in a closet that would be pulled out with some accompanying dialogue.  With that in mind, I would not have to start from scratch, but could use a prototype of the formal dress uniform done a few years ago.

I’d like to point out that I just recently received a copy of the correct pattern that is exacting to how the originals were made.  The TOS formal dress uniform pattern is a complicated variation of the raglan sleeve pattern.  Interesting enough are the three pieces that comprise the sleeve itself.  There was insufficient time to make the tunic from scratch and since the uniform would be used merely for a prop for a second or two of air-time, simply not necessary for CBS Television’s specifications.

I would spend the next two nights after work finalizing it and detailing the tunic for overnight courier on Friday afternoon.  My prototype of Kirk’s formal dress uniform was made of a lime green satin-like polyester fabric using the reverse side of the fabric, which gives a metallic-like sheen as shown on TV. The fabric may not be exacting in terms of its original, screen-used counterpart, but it does look how it was presented on TV. A collar was added, as well as the gold metallic braid that parts the tunic down the middle.  The rare gold metallic braid is exact to the original for Star Trek’s flag officers (braid trim from the private collection of Robert Withrow).  The prototype already had gold piping along the shoulders (thanks to Cheryl Thomas-Smith’s help from some years back on this project).

Close-up Shot of Braid Trim - Courtesy of Robert Withrow

In terms of the decorative service triangles to denote Starfleet accolades, I used what triangles I had available. I did not have time to make the tear-drop medal and making that known upfront, Dana went ahead and developed it from scratch using materials purchased at Hobby Lobby. I was blown away after seeing it completed – looked exacting to me especially for less than 24 hours.

Close-up of Kirk's Service Accolades

You’d think that after shipping the costume out via FedEx, all would be well, but there was a small gliche for the exact time.  It was needed by the earliest 8:30 AM delivery in Burbank, but due to a disconnect at Fed Ex, it was being sent for the 10:30 AM delivery.  We were able to work some things and it was delivered at 9:15 AM and used for filming.

Flash forward a month later.  With great anticipation, we all watch to see both ANOVOS’ regular command gold tunic with the lime green formal dress uniform to make their debut on prime-time TV. This is what we got to see:

As seen on TV

Admittedly, it there was more to be seen, but it was a glorious 3 seconds to see our hard work on TV – that’s Hollywood for ya!  All in all, it was made to CBS Television’s specifications and thankful that ANOVOS convinced me otherwise to do this project.  I should also point out that in ANOVOS’ “regular” gold Kirk tunic above, the captain’s rank braid is that of Farragut’s braid (courtesy of Kim Haas of KRH Embroidery), which is used on our Starship Farragut productions.

For more information on this special project, please check out ANOVOS’  link.   Also, check out one of the original William Shatner formal dress uniforms @ Gerald Gurian’s blog:

http://www.startrekpropauthority.com/2010/08/special-photostudy-star-trek-original.html

For more details on ANOVOS and their official Star Trek exacting uniform line, including both the new JJ Abram’s film and Classic TREK, please check out:  www.anovos.com

A New Year and New Beginings…

01/18/2011

On Sunday, we had our monthly Starship Farragut Producers’ Meeting.  For those that may not be familiar, the producers of the Starship Farragut project meet up on a monthly basis to discuss project status, financial well-being, conventions/media plans, scripts, casting/HR, sets, wardrobe, audio/video equipment, lighting, and all other topics involved with making a film, including business items.

During this particular meeting, I shared with the team that I plan to step down as “actor Captain” and focus more on the creative direction of Starship Farragut.  When I conceived this project, I had no idea the amount of work and effort required to be an effective actor.  My background/education is not in the fine arts of drama – an area that I underestimated when this project began almost six years ago.  Having gone through the process though, I have a better understanding and a foundation for the craft.

The Starship Farragut project is one that is stabilized.  In the next few months, will be working with Mike Bednar to see about transitioning day-to-day operations and oversight over to him.  We’ll be examining and assessing how this will actually work and better define areas of responsibility.  My thinking here is and if I can make an analogy, just as Rick Berman handled the daily oversight of Star Trek: The Next Generation initially, Gene Roddenberry was more involved in the creative direction of the series and characters.  Working with the respective actors, I will lend my thoughts and vision for the series.  In other words, I’ll still be involved, but in a lesser role than before.

NOTE:  We are in pre-production of a film called “The Price of Anything,” which we are still moving forward with filming scheduled for October.  This film  will show the transfer of command from Carter to Tacket; I’ll  be working to refine the script to reflect this transition.  All actors engaged at present are still planning to be involved as previously planned.

Also, I’ll  be focusing more of my attention on Farragut Films.  Another analogy, just as Desilu/Paramount Studios was the film studio company that made Star Trek, so is Farragut Films to Starship Farragut.  There are some exciting opportunities lined up that further promotes the Starship Farragut project, both directly and indirectly, and broaden our portfolio of other film and media-based efforts.  I shared one idea at the meeting, which everyone was excited about and will be sharing more of Farragut Films 2011-2012 roadmap at February’s meeting.  In addition, I’ll be working on some small projects that will enable me the opportunity to direct films and potentially direct a Starship Farragut episode in the future.

I believe that Farragut Films has set some precedents in the independent fan film community, and we will continue to do so in a greater capacity this year.  Farragut Films had a great 2010 as we worked successfully with United Worlds Entertainment on the POLARIS film, a non-TREK and original SCI-FI film that I’m confident will be a great INDY film.  As part of this effort, we’ve extended our involvement with the Screen Actors Guild (SAG) on our signatory agreement.  As part of working with the local community, we’ve worked with W.H. Gross Construction Company and the Office of Economic Development of St. Marys to promote that area for living, business, and tourism —- and make it not the ‘best kept secret on the East Coast’.  ‘We’ve also worked with ANOVOS Productions and KRH Embroidery.  Rounding off the year, we celebrated five years collaborating with NEO f/x – a long term and mutually beneficial partnership – we look forward to more years down the road.

2010 was a great year and 2011 looks even more promising.  Happy New Year to all!

Farragut Films – “Setting the Standard.”

Scratch-Built TOS Star Trek Props

08/02/2010

In looking for some old photos, I came across some that Mike Bednar gave me of some scratch-built, Star Trek – The Original Series (TOS) props he made in the early 1990′s.

The first one is of the classic phaser pistol weapon.  Keep in mind that when it was constructed, there were no BlueRay discs, DVDs, and the Internet was still in its infancy.  Mike used what reference was available at the time, as well as common-found items to construct the prop you see before you.

A Work of Art...

The next one is of the iconic communicator – the communications device used to confer between the ship’s bridge in space to the landing party on the planet.  If you didn’t have this baby, you were pretty much out of luck!  Again, Mike used what limited reference material was available with common-found items.

Another "Bednar" Prop

Both are two examples of great work and like Mike, I too was fascinated by these props.  Unfortunately, Mike sold these pieces of art to a fan shortly after making them.  Perhaps one of you reading this blog possesses it!

For the Starship Farragut project, Mike is our main propmaster and makes many of the props used in our films.  In fact, just as Irving A. Feinberg was the propmaster on the original series of Star Trek and where the cast and crew referred to props as “Feinbergers,” we too refer to our props in similar fashion, “That’s a Bednar.”


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