Posts Tagged ‘Farragut Films’

A New Year and New Beginings…

01/18/2011

On Sunday, we had our monthly Starship Farragut Producers’ Meeting.  For those that may not be familiar, the producers of the Starship Farragut project meet up on a monthly basis to discuss project status, financial well-being, conventions/media plans, scripts, casting/HR, sets, wardrobe, audio/video equipment, lighting, and all other topics involved with making a film, including business items.

During this particular meeting, I shared with the team that I plan to step down as “actor Captain” and focus more on the creative direction of Starship Farragut.  When I conceived this project, I had no idea the amount of work and effort required to be an effective actor.  My background/education is not in the fine arts of drama – an area that I underestimated when this project began almost six years ago.  Having gone through the process though, I have a better understanding and a foundation for the craft.

The Starship Farragut project is one that is stabilized.  In the next few months, will be working with Mike Bednar to see about transitioning day-to-day operations and oversight over to him.  We’ll be examining and assessing how this will actually work and better define areas of responsibility.  My thinking here is and if I can make an analogy, just as Rick Berman handled the daily oversight of Star Trek: The Next Generation initially, Gene Roddenberry was more involved in the creative direction of the series and characters.  Working with the respective actors, I will lend my thoughts and vision for the series.  In other words, I’ll still be involved, but in a lesser role than before.

NOTE:  We are in pre-production of a film called “The Price of Anything,” which we are still moving forward with filming scheduled for October.  This film  will show the transfer of command from Carter to Tacket; I’ll  be working to refine the script to reflect this transition.  All actors engaged at present are still planning to be involved as previously planned.

Also, I’ll  be focusing more of my attention on Farragut Films.  Another analogy, just as Desilu/Paramount Studios was the film studio company that made Star Trek, so is Farragut Films to Starship Farragut.  There are some exciting opportunities lined up that further promotes the Starship Farragut project, both directly and indirectly, and broaden our portfolio of other film and media-based efforts.  I shared one idea at the meeting, which everyone was excited about and will be sharing more of Farragut Films 2011-2012 roadmap at February’s meeting.  In addition, I’ll be working on some small projects that will enable me the opportunity to direct films and potentially direct a Starship Farragut episode in the future.

I believe that Farragut Films has set some precedents in the independent fan film community, and we will continue to do so in a greater capacity this year.  Farragut Films had a great 2010 as we worked successfully with United Worlds Entertainment on the POLARIS film, a non-TREK and original SCI-FI film that I’m confident will be a great INDY film.  As part of this effort, we’ve extended our involvement with the Screen Actors Guild (SAG) on our signatory agreement.  As part of working with the local community, we’ve worked with W.H. Gross Construction Company and the Office of Economic Development of St. Marys to promote that area for living, business, and tourism —- and make it not the ‘best kept secret on the East Coast’.  ‘We’ve also worked with ANOVOS Productions and KRH Embroidery.  Rounding off the year, we celebrated five years collaborating with NEO f/x – a long term and mutually beneficial partnership – we look forward to more years down the road.

2010 was a great year and 2011 looks even more promising.  Happy New Year to all!

Farragut Films – “Setting the Standard.”

Tailoring to Starfleet 1701st’s Steve Thomas

06/07/2010

For this blog, I’d thought I’d direct some focus on the costuming aspects of Star Trek and Starship Farragut.  Much of what Farragut Films does with respect to producing the online series, Starship Farragut could be considered a “period piece.”  Just as American Revolutionary War reactors take pride and attention to detail with their military uniforms, so do we with the Starfleet uniforms of 1960’s TREK.  We’re talking about a TV show that is over 40 years old and we’re going for accuracy of the same patterns, fabrics, and colors of the 3rd season of Star Trek.  No detail is overlooked – whether having the fabric professionally dyed to match uniform swatches dating back to the original series, having the exact pattern of the rank braid embroidered, or having each costume tailored fit for each actor and background actor – every painstaking detail is applied to making this production as accurate to the exact look and feel of CLASSIC TREK.  After all, we pride ourselves on making, “CLASSIC TREK NOW.

We strive for authenticity with our Starship Farragut productions for a couple of reasons.  One, we’re fans ourselves, which means that we’re meticulous about details of Star Trek just as other fans are.  It is out of great respect and homage to the show itself.  Second, we know that if we don’t make every effort to go for the same look and feel – regardless of costumes, but including the sets, props, ships, etc. used, we will get pinged on this by the fan community.  Despite not having a Hollywood budget, we are committed to doing all we can realistically do make quality new episodes of Star Trek.  However, after almost five years now, I tend to think of ourselves as our own identity.  Gene Roddenberry often described Star Trek as “Wagon Train to the Stars” – I think we’re more like “Space Gunsmoke!

Anyway, I digress – getting back to the topic of costumes; I thought I’d interview someone who has been key to me in terms of providing support to me on the costuming front.  I should quickly point out that there are several other people have been instrumental on this front, including James Cawley, the Executive Producer of Star Trek New Voyages/Phase II, Tony Lawrence of the Star Trek Uniform Guide – an online resource that I became acquainted with years ago, Kathy Pillsbury who supplied me with my first few Star Trek costumes in the late 1990’s prior to me learning how to sew and make them myself, and lastly – the private collectors of original Star Trek costumes that allowed me to document/picture their collectibles for reference.  In time, I hope to also interview these folks for a future blog post.

Steve Thomas runs the Starfleet 1701st forum, dedicated to Star Trek fans desiring accurate replicas of Star Trek uniforms.  This website covers the entire gamut of Star Trek – from the uniforms in the initial two pilots, the original series of Star Trek, the movies, and other TV spin-offs, his forum provides a clearinghouse of information of folks exchanging information to assist each other.

Its good to speak to someone who appreciates the costumes of Star Trek.  You’ve truly taken an active stance managing the Star Trek 1701st forum with countless hours researching information and providing to the public.  Why do you think you’re enamored by the uniforms of Star Trek?

And thank you for your interest! First though,  I must correct you in that; the forum is an aspect of the “club” “Starfleet 1701st”. Inspired by the Star Wars club “501st Legion”, the Starfleet 1701st is helping members and fans make accurate recreations of the Starfleet uniforms, for gatherings, clubs and events! I believe our board is the first dedicated solely to Star Trek “Starfleet” uniforms!

As to the uniforms, I wouldn’t say “enamored” but appreciative of the work and thought that went into (most of) them. When I joined “Starfleet International” which was prior to the release of TWOK, I knew I wanted to have a uniform of some type. With that club, chapters are “starships” and the members “crew”. Thus we usually dress for the part which means “uniforms”. When the TWOK uniforms were revealed, at first I recoiled because they were so radical to the TOS design, even the TMP design. After seeing the movie, I decided I liked them! So was the start of my journey into Star Trek “Starfleet uniform” fandom!

I’m always fascinated by the fandom of Star Trek!  So, do you consider yourself a fan of the original series or all things TREK?

“TOS” very much so! It was the first that fired the imaginations of so many. I do appreciate the other incarnations, but I’m most fond of TOS. The other Treks, even TNG, don’t have the magic that TOS did. Of the other series, I liked “DS9” best. It showed another aspect of the Star Trek universe not seen before. “Voyager”  had an anthological aspect to it that I liked.

Do you own any original costumes?  If so, what are they?

I do not possess any as of yet. Actually re-creating the outfits has been more of interest. I’ve had opportunity to examine some of the actual outfits, but really have no desire to own one… unless if I can wear it in addition to displaying! It’s one thing to have it, another to wear it! Of course with Anovos preparing to commercially offer accurate recreations of these outfits, I will be happy with those too, but mainly, I’ve been keen on recreating the outfits as so many of us do.

I do collect mostly toys and memorabilia. I have about a $10-12K collection from over the years.

Some of Steve's Costumes (TNG-Style)

I learned that you do not sew, which surprised me.  You have a wealth of information through your forum, so I have to ask where you get your own costumes made?

No, I don’t sew but am fortunate and wise enough to find people who do and can assist. I’m like the “mission commander” of the club. I am president of the club and maintain the board, but it’s our “mission specialists” (our “Quartermasters”) who have specific sewing and/or uniform knowledge.  I have been fortunate to know a couple of folks in my area who are quite talented when it comes to these outfits.

Shoreleave 1987, Steve in Front & Center

You’ve seen episodes of Starship Farragut – what are your thoughts on our series overall and in costuming specifically?

For Farragut specifically, I like that it’s the stories of another ship of the fleet versus just the Enterprise; same for Exeter. It would be nice if all the original 12 could be represented! Your uniforms are quite well done! They fit well and it’s nice to see the Farragut insignia in addition to the familiar Enterprise. I’ve always liked that concept of each ship having its own distinctive insignia, just as each aircraft carrier has its own logo. Those field jackets were a nice touch too!

As I am a TOS fan, I really like and appreciate “Starship Farragut”, as well as Cawley’s “Star Trek Phase II”! I was sorry that “Starship Exeter” went under, though I understand “Star Trek Excalibur” is making a comeback after their misfortunes of past. With all your productions, I especially like the faithfulness that you’ve put into these productions. It’s what I call “heart”, something the Hollywood productions lack, even though they had fans working them.

And John, you must tell me who makes your unis! I can certainly send business their way if they’re amenable!

Thanks for the compliments – I’m the main costumer, but do have a couple of costume assistants that help me.  I’m not interested in taking orders – filming Starship Farragut adventures is a full-time job!

With last year’s JJ Abrams film of Star Trek – how did you like the homage to Bill Thiess’ original uniform design?

What I didn’t like was the mish-mosh of styles that didn’t really make sense (especially those butt-ugly Academy staff outfits!), though I understand Kaplan was paying homage to what went before. I hope that the ’12 movie will be more consistent concerning those uniforms.

The duty uni is not bad. Just little changes I would’ve made: using gold iron-on braid instead of silver and placing the ranking higher on the sleeve like TOS; blousing the pant leg over the top of the boot; tucking the shirt in when wearing the equipment belt.

I appreciate your time Steve; thanks for your hard efforts in providing a resource outlet for Star Trek costuming.

You’re welcome John! I’m happy to do what I can to help folks make the best-looking and most accurate Starfleet uniforms possible; getting away from “good enough”. Because so many now own the actual outfits from auction, there’s no need or excuse for “good enough” anymore.  I invite folks to look our board over and if they like what they see, to join the “Starfleet 1701st”club and help us in our on-going mission!

http://starfleet1701st.yuku.com/

New Gymnasium for Boys & Girls Clubs

03/31/2010

Ribbon cutting marks new gym opening for Boys and Girls Clubs.

Tonya D. Bacon

My better half, Tonya Doby, stays busy just as I do – juggling our family, working at a full time job with a social media/PR consultancy and as an adjunct faculty member at the Catholic University of America, and serving on the board of directors for the Boys & Girls Clubs of Greater Washington Maryland Region.  In the past, she has been helpful with Farragut Films’ PR/media efforts, but is now involved supporting Farragut Films through special projects and encouragement/support.

Recently, she helped with some media coverage of the unveiling of the new Boys & Girls Clubs Germantown Branch gymnasium, which took about 10 years to materialize.  The Boys & Girls Clubs play a vital role in lives of the children, and many members of the business and local community came together to ensure that the children would have proper gym facilities to carry out all of their daily fun, exciting and team building activities.

Governor Martin O’Malley, Montgomery County Executive Ike Leggett, Congressman Chris Van Hollen (Maryland’s 8th District), and other congressional leaders were on hand at the ribbon cutting ceremony.

Unveiling of New Boys & Girls Club Gymnasium in Gaithersburg, MD

Attending this event and supporting her, reminded me of community outreach.  Like Tonya, Farragut Films is committed to community outreach.  Part of our corporate filing objectives for the non-profit status was and is to work with young people to get them more exposed to the art of film-making, acting, behind-the-scenes work, and other activities associated to the entertainment industry.


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