Speaking of wardrobe, special thanks to ANOVOS for the Starfleet uniforms.  Because of their involvement, I only needed to tailor the uniforms to the respective actors and create Trek pants, as well as an additional tunic for Vic Mignogna.  Vic and I are most grateful for our ANOVOS partnership.  Although a small level of effort for wardrobe, it did seem challenging given real life commitments.  I’d be remissed if I did not also acknowledge and thank my friend Pavlina for developing the pattern and constructing a key outfit from a TOS episode; as well as thanking Lizzy Shram for her work on the orange jumpsuit and other sewing support.  It feels great to finally get ‘down-to-earth’ folks who have strong interpersonal skills and talent beyond just sewing a straight line.  Actually, both are “master” costumers as I became to understand; blessed to have their involvement.

With THE PRICE OF ANYTHING slated for release this August, folks have posted on our Starship Farragut Facebook page, asking what’s next?  Well, we’re officially in pre-production of our next Farragut adventure.  The group reviewed numerous scripts and we ultimately chose the screenplay, CONSPIRACY OF INNOCENCE written by Bobby Nash.

Bobby Nash Watching Rough-cut of “The Price of Anything” at TREK TRAX

Bobby has written a plethora of novels and scripts – you can check him out at www.bobbynash.com.  Producer Jack Marshall is currently reviewing and annotating the script; from there collective weigh-in from the other stakeholders, which will then provide back to Bobby for final incorporation.  We will film CONSPIRACY OF INNOCENCE immediately following the STC full episode this fall.

Also, I should point out that Mark Hildebrand will be filming his Starship Farragut vignette, NIGHT SHIFT during Veteran’s Day weekend.  Mark wrote the screenplay a couple of years ago, but has been busy with non-TREK films, such as ANTHEM, which tells the story behind Francis Scott Key’s creation of “The Star-Spangled Banner” and explores the role of music and patriotism during The War of 1812.  A long-time Farraguteer – we’re glad to have Mark doing some TREK work again!

The last time we hung out with Mark, we showed him a rough cut of THE PRICE OF ANYTHING.  He was most impressed. I shared with him my thoughts on how great the filming went and how it took me seven years “to get it.”  On that point, he reminded me that I needed to relay to folks that I will be continuing the role of CAPT Carter.

The last time I blogged, I shared how I was stepping down – filming at the OCT film shoot was bitter sweet as I finally able to enjoy the acting aspect, but had already committed to stepping down.  While formulating ideas how the Carter character could reprise a role in the next Farragut adventure outside of being the Captain, Mike and Holly Bednar conferred with me about staying on and “keeping things the way they were.”  I don’t think that they will truly know how much that meant to me.  I’m optimistic that when folks see THE PRICE OF ANYTHING, they will finally see the Carter character as I envisioned him.  Much of the success of this film goes to all the hardworking individuals, including key crew folks such as Vic Mignogna, Matt Bucy, Jack Marshall, Kasey Shafsky, Michael Struck, Ralph Miller and of course our dedicated set construction crew — Royal Weaver,Greg Greene, Dan Scanlan, Sam Rooks, Ron Simkanich, Frank Parker, Katrina Parsons, Cera Weaver, Scotty Whitehurst, Stacy Walker, Jeff Johnson, Bruce Boyd, and Carl Mazur .  Last – but not least, thanks to Paul Sieber for writing the script.

Staying Aboard Farragut

Could the magic that we shared during the OCT and DEC film shoots for Starship Farragut be replicated for the STAR TREK CONTINUES shoot?  The answer is AFFIRMATIVE!  With memories fresh from filming a few weeks ago, I can tell you that folks were equally committed to both webseries and we were able to film amazing things on schedule and have fun without drama or strife.

I’ve been a steadfast critic of staying clear of doing a fan film based on the iconic characters of Kirk, Spock and McCoy.  Our Starship Farragut webseries is fundamentally different, showcasing the crew of a different starship than the one named Enterprise.  However, having witnessed the filming of the STC shoot, I can tell you that I was blown away.  Not only are we working with professionals, but each actor had embodied the essence of their respective character, which translated well on film.

Vic and the others have spent the necessary time and effort to portray our legendary space heroes and have done justice by them.  If I may share a geek-out moment – there was a moment when the entire cast was on the bridge in uniform filming a scene that caused the hairs on my arms to stand straight up.  I was standing near Jack Marshall who had his back to me watching the monitor – when he yelled, “Cut!” – I immediately was going to tell him about what transpired and called his name.  When he turned around, his eyes were glossy and he said, “Did you feel that?”  I replied, “Yeah!”  We both concluded that it was like witnessing Star Trek being filmed almost 50 years ago on the Paramountlot.  A truly surreal moment…

Cast of Star Trek Continues

Even though this was our first STC shoot, there was a genuine camaraderie of the cast and crew.  I’m extremely optimistic about the continuing voyages of this enterprising adventure…

Grant Imahara, Greg Greene, Chris Doohan and Mike Bednar

Having a Blast – Jack Marshall

Kasey Shafsky, Scotty Whitehurst and Matt Bucy

I’ll wrap up simply stating “Thanks” to all the cast and crew of Starship Farragut and Star Trek Continues.  We are truly and boldy going where no one has gone before.

#1 – You tell your family and law enforcement officials that she “ran-off” and left her kids behind.

#2 – While the neighborhood initates a search party to find your wife, you opt to go play golf.

#3 – You turn off her cell phone while she is still missing because you say can’t aford the phone bill.

#4 – You have your new hot-chick “nanny” move-in to help manage the kids and household.

#5 – Coincidently, one day before she ran off – you increased her life insurance policy to $1.5 million.

If any of the above apply, more than likely you’ll soon say, “I want a lawyer.”   Or heading to the Mexican border.

This summer, Mark’s production company Make Your Mark Media will be releasing a one-hour long documentary film called Anthem. “It’s about The Star-Spangled Banner and the music of the War of 1812,” Mark told me in a recent conversation.

“There are many myths and misconceptions about this period in our history, and about how and why this song was written. I’ve heard more than one person state with confidence that our national anthem was written during the Revolutionary War!”

They are in the middle of a crowdfunding campaign on Kickstarter – http://kck.st/ytf2q4.

“This is a great way for people to help us make this film. We have funded the costs so far with donations from family and a few other individuals. We’re on track to broadcast Anthem on Maryland Public Television this fall, but they are not providing any funding.  We need to raise $20,000 by the end of February to get us to a “rough cut” stage.”

The film includes interviews with Maryland Governor Martin O’Malley, author and historian Richard Brookhiser, president of the Marching Ravens Band John Ziemann, historian Ralph Eshelman and musicologist David Hildebrand. Yes, that is no coincidence.

“My brother David has been the leading specialist in the field of Colonial American Music for many years. He and his wife Ginger have produced several CDs over the past 30 years through their organization The Colonial Music Institute. This is the first time we have worked together!”

Mark, Jason Vaughan, Governor Martin O’Malley & Eric Lund

Filming began in January of 2011 when Mark, David and Ralph travelled to England. They interviewed scholars at Oxford University, and filmed at several locations nearby including Sulgrave Manor (the ancestral home of the Washington family), the Chesapeake Mill in Wickham and the Portsmouth Naval Yard.

“We also interview Count Nikolai Tolstoy, a longtime member of the Sublime Society of Beef Steak – a London club dating back to 1735.”

Filming at the Old Library in St. Edmund Hall, Oxford University

A new preview video can be seen on the Kickstarter page – http://kck.st/ytf2q4.

Also working with Mark is fellow Farragut alum Eric Lund (“Michaels” in For Want of a Nail and Rock and a Hard Place, assistant director Just Passing Through).

“Eric has been serving as director of photography and has kept me on track with the film’s story and pacing. He’s had some great ideas and is a joy to work with.”

Mark recently became a full-time filmmaker, and thanks Farragut Films for pointing him in the right direction.

“After having so much fun writing, directing and acting with Starship Farragut, I realized that this was what I wanted to do from now on. I wish I had known this back in school, but there are endless opportunities to learn and grow while making films. When my 9 to 5 job folded in 2009, I decided to jump in the deep end. I created both my film companies (Make Your Mark Media is a nonprofit and M5 Films is an LLC) and have managed to stay afloat with small jobs and tapping in to some of my savings.”

In 2010, Mark wrote and directed the TV pilot Semper Paratus for Hayden Productions. He’s also produced promotional videos for the National Park Service’s Star-Spangled Banner National Historic Trail, the Utopia Film Festival and Colonial Players of Annapolis. Once Anthem is completed, we hope Mark will return for another cruise on the USS Farragut.

“I have an idea for a Crew Log about the night shift on the bridge. I really miss working with you guys!”

Follow Make Your Mark Media on Twitter @MYMMedia.

Reflecting back more than six years on the Starship Farragut film project – - - after four live action films and two animated episodes, I came up with 10 items about Star Trek fan films worth sharing.  These 10 items are in no particular order and I’ll make the disclaimer that they’re my own statements not directed to slight anyone or any film project in particular.

1.  You will not make any money.  In fact, be prepared to have money drained.  Since CBS Television holds the rights to the Star Trek show, you cannot generate any sales revenue from your film efforts due to copyright infringement.  Unless you’re planning to leverage your fan film project to be a stepping stone in other film projects, you will not get a financial return on investment.  Fans and supporters of your project will likely encourage you to proceed and volunteer their time, but in terms of monetary donations, do not have an expectation that you can ‘bank’ on their support long term.
2. Get real actors for your cast.  I totally underestimated the acting craft when I started this film project.  I have since boned up and seen self-improvement in our episodes; however, I do recommend getting folks with professional acting CREDS – nothing creates more disbelief than folks not being prepared acting-wise or having out-of-shape, physically unfit people wearing Starfleet uniforms.
3. Star Trek has baggage!  If you’re doing a Star Trek fan film there is an expectation that your sets, costumes and props will look EXACTLY like what was seen on TV.  If not, your audience will criticize you hard —- harder than how badly Kirk’s death was handled in STAR TREK GENERATIONS.  Adding to this, working to get vintage, rare parts for sets and working with a manufacturers to dye fabric to screen-used swatches is both time consuming and expensive.
4. Everyone thinks their project is (or will be) the best ever.  This can create rivalry and competitiveness.   If you’re a viable film group consistently producing film product, you will receive both adulation from fans and “hate bashing” from insecure people who are envious of your success.  Always take the high road and never let their pettiness override the positive and professional harmony you’ve worked hard to achieve.  Collaboration is possible with other film groups, as Farragut Films has demonstrated with other TREK and non-TREK film groups; however, some folks are best to not work with- period.
5. Drama.  Yeah, there will be some.  When you get creative types together, coupled with anal Star Trek fans, there will be some drama; however, I’m proud to say that on the Farragut Films’ side, we’ve been able to handle differences respectfully and minimize drama.  In the six years of our existence, we’ve only had to discontinue working with one person and one other left for his own agenda.  With numerous volunteers supporting our project nationwide in the various areas of pre-production, production and post production – I consider those EXCELLENT retention rates.
6. Family and Friends.  To launch off our Starship Farragut film project, I leveraged the skills, talents and support from those closest to me, as well as a network of good business contacts to make our films.  As you increase awareness to your film project, other volunteers will want to come aboard.  Be sure to have a vetting process in place for bringing in new folks (both cast & crew).  Do your due diligence and always treat them well.  For Farragut Films, we have key differentiators regarding appreciation:  1) You will receive a DVD of the completed film, 2) You will be fed during times of filming, and 3)As an actor you will receive a uniform/costume tailor-fitted to you to keep or as a crew person you will receive a Starship Farragut or Farragut Films embroidered attire (polos, T-shirts, ball caps, etc.).  As far as I know, we’re the only TREK film outfit doing this.  Getting back to the point of family and friends – it will be an enormous time management juggling act to spend quality time with your spouse, children and friends as this type of project can require so much of your time.  Be sure to balance time with them too if you want their continued support!
7. Be able to wear multiple hats.  A lot of folks that start out on doing their own project are ignorant in all the complexities of doing a high-quality film production.  They’ll likely take 10 years or so just to get off the ground.  You’ve got to have surplus cash (or access to folks with disposable income), be business savvy; a motivator; an organizer – the list goes on.  If you’re seriously committed, you’ll be involved in several areas (costuming, project managment, acting, propmaking, etc.) and you’ll need to effective with your time management – juggling career, family and your film project.  For those late nights – bring on the Five-Hour Energy Drinks!
8. Sets.  Yes, people are fascinated by the sets!  I’ve seen some groups, and yes more than one, that seem fixated on building sets with no clear vision of using them.  For us, we’ve only built the sets needed per script requirements.  In other words, unless you’re well off financially and have ample storage space —– only build the sets you need to tell the story.
9. Wardrobe – In order to do a Star Trek series, you got to have Starfleet uniforms.  I had no ambition to sew, but when I was unable to get a tailor or seamstress to make the uniforms from scratch, I had to learn how to make them myself.  I’ll never forget the look I got when I brought the Classic STAR TREK shirt pattern and fabric to my trusted tailor for many years, – after I explained what I was trying to do, he gave me the raised Spock eyebrow and said, “You want me do to what?”
10. Original Characters or the Iconic Legends?  Personally, I believe that only William Shatner can play James T. Kirk, Leonard Nimoy can play Spock, DeForest Kelley can play Leonard McCoy – etc.  However, some folks want new stories of our beloved crew.  It’s much easier to ‘buy-in’ a group of new characters on a new ship part of the same fleet than comparing with folks onboard the Enterprise.  However, if you must do your film series on the iconic legends, please cast correctly.  For example, don’t get a Hispanic to play a clearly established Asian role.  Also, if you are considering doing a follow-up to an existing TOS episode, please consider otherwise.  There are exceptions to this, but it’s been my experience from what I’ve seen on the live action fan film side that they’re not executed well and merely come off as “fan-boy”.  Remember, SPACE IS VAST – there are infinitely more planets to explore and more aliens to encounter.

I’m sure that there are many more “lessons learned” to share, but these are the only ones I can think of at this point in time.  Again, this is my commentary and not a slight to anyone or any group.  In addition to liking Starship Farragut – I’m also a big Starship Exeter fan, and was inspired by the works of that particular film project. 

Starship Farragut were guests at the Rising-Star Sci-Fi convention in Bluefield, WV, October 21-22, 2011.  The convention attendees got a few bonuses when they attended the convention that weekend.  Rising-Star happened to fall the week after Farragut Films concluded it’s interior shots for our next film, “The Price of Anything.”  The conventioneers were treated with some exclusive behind the scenes photo’s of our filming efforts the previous weekend.

The big event happened on Friday night, when the Captain’s Chair used for filming just the week before was brought into the convention.  As soon as Michael Bednar and I brought in the chair, heads turned.  The chair was the highlight of the convention.  Everyone loved to sit in the captain’s chair and have their pictures taken with the iconic STAR TREK centerpiece!

As usual, the Farragut table was stocked with DVD’s of all of our productions (both live action and animation), fabric swatches from our uniforms, and some of the props and costumes used in filming our live-action episodes.

Mike Bednar hard at work!

On Saturday morning, Frank and Donna Parker arrived with another surprise.  The Farragut Films table area was now occupied by two large set pieces from the previous weekend’s filming — the captain’s chair and the Romulan Bridge center console (as seen in the TOS episode, “Balance of Terror”).  This was another huge hit with everyone.  The convention concluded on Saturday night.

Romulan Console

Worth the trip, this was a great event for Farragut Films.  We had never shown our captain’s chair outside of our studio in St. Marys, GA.  Michael Bednar will now make some upgrades to the chair for our next film and put some enhancements to the Romulan Bridge console.  We also made some new fans in West Virginia, and our previous fans were glad to meet us in person.

Michael Day handles all convention appearances on behalf of Farragut Films and Starship Farragut.  For those that wish to have attendance by and/or exhibition by us, please contact Michael Day (mday@starshipfarragut.com).

The phaser is a solid resin casting – unsure of the origin of this particular casting; however, this phaser version was used in the Star Trek Deep Space Nine episode, “Trials and Tribbleations”; it is currently sold in both build-ups and kit form at Roddenberry.com. 

Although a very clean casting, it did require some clean-up and filling in of some air bubbles.  The phaser 1 dark grey color is a custom-color that Mike creates and airbrushes on.  The main body is painted with Kyrlon Shadow Grey and the Handle is painted with Rustoleum Metallic Bronze.  Aluminum accents were masked off and painted with silver or some hand brush painting.  Other hand painting included the phaser I release knob (copper/bronze) and the 10-turn knob dial part (black). 

Mike’s reputation for quality work speaks for itself.  Shipping this beautiful prop replica was a bitter-sweet task as I wanted to keep it for myself, but glad that it was going back to Michael Mazzacano – another good guy.  I know that Michael will cherish his new “Bednar.”

Last week’s shoot of the Starship Farragut live-action film, “THE PRICE OF ANYTHING” was a huge success.  Folks had fun; we got all the shots needed within schedule and with great performances of the actors.

Despite this being our most ambitious from project to date with rising production expenses, we were able to continue with our best business practices of providing meals to folks, giving away expensive & accurate Star Trek costumes to ALL actors, as well as appropriate crew attire for the behind-the-scenes folks.  This is one differentiator that we pride ourselves, as well as treating everyone with mutual respect and valuing their volunteered efforts.

For me, this episode was the culmination of more than six years of what I envisioned the production should go – talented crew professionals working with the latest technology and proven camera, lighting and audio equipment, as well as prepared actors giving their best performance on accurate sets and wearing exacting uniform replicas to get that look and feel of 1960’s STAR TREK. We had an outstanding Director with film experience to evoke the best performances out of us.  Vic validated a belief I’ve had for some time that knowing lines and having done rehearsals is simply not enough — you also need a Director that provides clear “direction” and communicates to the actor in a way that he or she understands what is being asked; is able to change lines without changing the intent of the screenplay; and understands all the dynamics of that which is “film-making.”  Vic Mignogna is such a person.

Well over a year ago, I was trying to bring on a Director to film this effort and spoke with Paul Sieber, the writer of this screenplay.  I had known of this “Vic Mignogna” for awhile —- he had worked with Michael Struck of NEO f/x on Starship Farragut: The Animated Episodes and heard positive things of his work with Star Trek Phase II.  I asked Paul about Vic and he confirmed his work, adding, “he is a Actor’s Director.”  I wasn’t sure what exactly that meant, other than it sounded good.  It wasn’t until the first day of filming when the shuttlecraft set was getting ready for filming with the camera and lights, Vic wanted to go over the scene with the actors involved to talk about the scene.  We went into the transporter room set, we sat down, – I immediately closed my script book and tossed it down.  A lot of personal preparation for this dramatic shoot and for me it was a moment of setting the tone with the Director.  “I got this – I know my lines and I don’t need it” type of thing.  You see, earlier on after getting Vic on-board, I explained my frustration on the acting side of this project.  I had an idea to remove my character very early on in the teaser and having the plot of estranged and bitter family relationship take place with Smithfield’s brother.  After explaining all of this, Vic relayed that since I created the series and the Captain Carter was pivotal to the series, his departure should not just be an after thought.  Whereas any other person may have just accepted what I initially proposed, Vic understood where I was coming from and offered an alternative solution, adding “If you know your lines and are prepared, I will bring out the best in you and you can make this film on a high note.”  Without sounding like a cliche, I was intrigued by the challenge.  If I could leave on a high note and have folks wanting more of my character – why not?!

Getting back to the transporter room and going over the shuttlecraft scene —– it was during this discussion that I understood what Paul was referring to of Vic being an “Actor’s Director.”  Whereas I had my own thoughts of what the character was thinking and doing, Vic would throw in something else that would enhance the performance.  I think that if you asked anyone actor involved in this production, they’d say the exact same thing.  In fact, I’d challenge you to find someone who didn’t agree with me.  When I left the transporter room to film the first scene, I felt like a true actor ready to go and best of all, I WAS HAVING FUN in the process.

An epiphany moment came after we were done filming and numerous folks independent from each other were giving me compliments on my performance.  You see this episode has some serious drama for Captain Carter and his father.  Frank Hernandez who plays my father, also gave great performances and the chemistry between both Frank and me also leveraged well on-screen.  Adulation continued to be heard from folks – as well as emotional reactions of folks watching the performances being filmed.

Another epiphany came when Vic told me to just “think it” and not to react.  I would do just that and after a take was done and I was questioning about how it went because I wasn’t feeling it – Vic had me come back to the monitor and had the footage replayed for me.  After I saw it first hand, I was blown away.

Contemplating the Future

Thanks is More Than Just Words…

Thanks to me seems like a word that doesn’t fully convey my full appreciation to everyone.  I know that I personally thanked everyone for their contributions, and I will thank folks again by quoting President John Kennedy who said, “As we express our gratitude, we must never forget that the highest appreciation is not to utter words, but to live by them.”  In addition, I will add that it is a great feeling to have created something has evolved into greatness that attracts and brings out the best in people  where they bring their own specific contribution to the production.  Each person is like a piece of the puzzle and when everyone is put together, the picture is complete.  Recognizing this, as well as the talents/contributions of folks – is a feeling that doesn’t come everyday and one that I will cherish forever.  Starship Farragut is more than an ensemble cast and crew who have come together to make episodes of “Star Trek,” we are a family.

Special Acknowledgements:

Tonya - Moretti Cameo and Make-up

Tonya – To my supportive and loving wife! You believe in me and it’s great to have you nearby on the sets. It takes a lot of time, energy, and commitment in order to make this film effort a huge success, and you’re always incredibly understanding. Thanks for being an integral part of this film. A big thank you to my kids for being understanding of Daddy having to work on this film effort. Outstanding work on make-up and love the cameo!

Mr. Tacket Manning the Science Scanner

Mike – A daunting task, you delivered on the promise of sets.  When they were fully lit – walking on them felt “right” and they were gorgeous!  Your level of commitment went above and beyond the call of duty – many thanks and I salute you.  ONE of the GREATEST guys in the world – I’m honored and blessed to be taking this TREK with you.  Without sounding trite, the friendship we have is grounded like that of Kirk and Spock and we got to see a bit of that come through with the Captain’s Chair scene.

Very much at home, Director Vic Mignogna

Vic – I appreciate the fact that you’re consistent (no negative surprises); you’re also  patient with folks.  I observed you work with folks on their performance and you have the gift of personal interaction with people to bring out the best in them performance wise.  I’ve learned a lot from you about acting and eternally grateful.  I now have a new outlook on the profession and no longer abhor the ‘craft’ as I did before.  You kept your word and I kept mine and magic was made.  CLASSIC TREK NOW!

Smithfield at Engineering Station

Holly – It’s always refreshing to see you film.  A true professional, you always know your lines and ready to deliver.  Like I mentioned before, there was some true “McCoy” or more appropriately Smithfield moments that came over extremely well.  I look forward to filming the dramatic scene with you in LA.  Also, thanks again for handling casting and HR for us; nice additions of Laurel Seymour and Doug Nemeth.

Doug Nemeth & Laurel Seymour

Our Director of Photography, Matt Bucy

Matt – You’re a god on the camera and with lights.  For the first time in almost 50 years, people can finally see Star Trek again.  When you’re looking at your footage and trying to figure out what Classic Trek episode was being filmed, you know you got it!  Also, the dolly shots and above the bridge shots are great – fans are going to love it!

The Multi-Talented Ralph Miller

Ralph – It was great to hang out with you again.  Like Vic, you’re a true kindred spirit of Classic Trek and all-around great guy.  Great talent and thank you for the numerous contributions that extended outside of just “audio”.

Jack Marshall & Kasey Shafsky

Jack – You said we’d be working together and were right.  You were a valued element to this production and I cannot imagine us doing it without you.  I really got a chance to observe you in action and what a professional.  I look forward to working with you again.  It was also nice to have you keep an upbeat tone on set with your humor.  I shall now refer to you as “The Mighty Marshall!”

Kasey – You’ve done a helluva job as Line Producer.  Thanks for keeping things going well and orderly.  I also liked playing “Good Cop” to your “Bad Cop”!

Sam Rooks, Farragut Films' Lighting Guy

Sam – Only you could convince me to part with my beloved Farragut Films ball-cap.  Thanks for your contributions and look forward to working with you on the exterior shoot very soon.

Professional & Strong Ethical Actor, Frank Hernandez

Frank Hernandez – I told you that you would not be disappointed.  As you can tell, we operate differently from other outfits and pride ourselves on our professionalism.  Thank you so much for playing opposite me.  In a lot of respects, I think that we’re very much alike in terms of doing what you say and being professional.  I love your wit and you as a person and although you play my father, consider you my brother in life.

LT Stahler Receiving Starfleet Orders

Greg Greene – Our Set Team Leader – thanks for taking care of our home.  It was a delight to see you play Communications Officer, LT Stahler.  It’s been awhile since my stomach was in pain of laughing so much!    

Royal Weaver Perfoming Just One of Many Crew Tasks

Royal and Ron – Thanks for everything done behind-the-scenes.  We wouldn’t have been able to make this film without your guys’ involvement.  Nice to also see some folks not requiring to be in front of the camera to be involved.  Royal, you always go beyond the call of duty to help and willing to pinch in for whatever task – we also appreciate you making  the magic of TREK’s sliding doors a reality. 

ROMULANS!

Donna and Frank Parker – Thanks to you both for making the Romulan uniforms.  Your work enabled to truly showcase the newly built Romulan bridge set and make those scenes more powerful and in the venue of STAR TREK’s “Balance of Terror”.

Laura Shafsky – My stomach and the crew’s stomach thanks you for handling catering for us!

Brit is ready for action!

Brit – Thanks for being part of this shoot.  You quickly became part of the team and assisted folks with camera operations.  Also thankful for taking photographs for us.

Katrina – Without your help, the SAG and other administrative forms would not have been filled out by folks.  With everything else going on, I totally dropped the ball on getting with folks – thanks for stepping up.

Ensign Morris Steering the Ship

Dean – My man Dean!  It was good to see Ensign Morris on the Farragut bridge again.  Thanks for being our “official photographer” and along with Brit, documenting our film shoot.

Tacket's New Nemesis

Cheralyn Lambeth – Glad that you made our Romulan Commander come to life.  I have a feeling that Commander Tacket has not seen the last of her!

LT Logan in Command

Gina Hernandez – Thanks for playing LT Logan, as well as supporting Frank on his Special Guest Star role.

Dan Scanlon – Thanks for all the hard work on the sets, as well as doing boom mike and fog machine!

Bob & Amy McDonough — Good to see you guys.  Wish that we could have spent more time together.  Thanks Amy for assisting Tonya with make-up duties.

Doc Holley in her Sickbay Office

Chief Galway Manning the Transporter Room

For all the other actors, Laurel Seymour, Doug Nemeth, Matt Jones, Brian Watson and John Sims — Danke, Grazie, and Merci Beaucoup!

Farragut Films' Corporate Sponsor

W.H. Gross Construction Company – Sincere thanks to our corporate sponsor.  Bill – from everyone involved with Starship Farragut – much gratitude for making St. Marys our home.  Our partnership started almost 3 years ago and it has been a great one – we will continue to do what we can to bring awareness to St, Marys so that its no longer the best kept secret on the East Coast.

Kim (and Brian) – Many thanks to you for championing us.  Because of you, our Farragut family has gotten much larger, including you guys.

Paul Sieber –Thanks for writing the script.  You will be blown away when you see it realized on screen!

Michael Struck, Michael Day, Mark Hildebrand, Marie Cook, Kim Haas, Michael Cowart, Eve Gidion, and Allen Batson – Although you were not present at the film shoot, you were there in spirit.  Thanks again to your contributions to this production.

Last, but certainly not least — thanks to my Mom who watched over our kids while Tonya and I played Star Trek and who helped me with some costuming support of hand-stitching, seam ripping and sewing of some patches.

Best Cast & Crew Ever

Sincere admiration and respect to the entire cast & crew of Starship Farragut.  When folks finally see THE PRICE OF ANYTHING, I genuinely believe that they will agree that it’s the best yet for not only Starship Farragut, but for all CLASSIC-TREK fan films to date.  Looking forward to doing the exterior shoot with folks in Los Angeles real soon!  Farragut Films – Setting the Standard.

Broughton Family on Set

Sets
Many of our hard-working and dedicated volunteers from what we’ve begin referring to as “Farragut-Southeast Operations,” our St. Marys and Jacksonville volunteers, have been working to finalize and details our TREK SETS.  According to Project Manager of Set Construction, Producer Mike Bednar states, “This film will premiere some sets not seen in any Star Trek fan film to date, which we’re proud to debut.”  We plan to showcase them as a surprise in the movie.

Todd Haberkorn

Todd Haberkorn
As mentioned in my last blog update, we’ve got some new folks involved in this production, including Todd Haberkorn who will also play a Romulan Soldier.  The actor originally committed to playing this role backed out, which turned out to be a blessing in disguise.  Todd is no stranger to the film or entertainment industry, being an accomplished and  well-known voice actor for anime and video games, as well as acting in independent films.  Todd received his acting degree from Southern Methodist University and continues to work professionally primarily in Los Angeles and Texas.  With his wealth of professional experience,  Todd brings a greater strength and powerful presence to the character that we would not have had otherwise.  I look forward to working with him.

Kasey Shafsky, Line Producer

Kasey Shafsky – Line Producer/Production Manager
As our Line Producer, Kasey will be our ‘bull-dog’ to ensure all goes well!  He has been employed in the San Fransisco Bay Area for the last 19 years as a shooter, editor and director. He has shot and edited for video game companies, Silicon Valley computer corporations, start-ups, and venture capital companies. For the last eight years, he has held the role of Manager of Video Operations for a multi-million dollar business education corporation in Silicon Valley. Kasey directs live four camera shoots at 13 three day conferences a year. He also leads his team with editing, compressing and distribution of course material online. He has won a Telly award for his creation of a nutritional education video for middle schools presented by Sun-Maid. Kasey worked with Matt Bucy and Vic Mignogna on the Star Trek Phase 2 episode “The Protracted Man” (aka “Origins”).

Fellow STAR TREK Costumers Lend a Hand
Dr. Eve Gidion, Michael Cowart, and Donna Parker have joined our project to assist with wardrobe.  They will augment our wardrobe ensemble consisting of Marie Cook, Cheryl Thomas-Smith, and John Sims.  We’re honored to have the support and contributions of these fine folks.

Dr. Eve Gidion

Michael Cowart

Donna and Frank Parker

Safe to say that we’re all very excited about this film!  Working with folks like Frank Hernandez, Vic Mignoga, Matt Bucy, Todd Haberkorn and the other Farraguteers we’ll make this film our most ambitious episode to date and take the Starship Farragut project to the next level.  Stay tuned for a lot of good things coming from Farragut Films and the Starship Farragut folks.

New Prop Displays

Michael Day and Mark Hildebrand

During this CON appearance, we did two showings of the newly released, “JUST PASSING THROUGH.”  Director Mark Hildbrand spoke and answered fans’ questions about re-filming a previously completed work that hadn’t been released publicly; fans’ reactions to the film were positive.

Frank and Gina Hernandez in "Mirror, Mirror" COSPLAY

Shore Leave regulars, Frank and Gina Hernandez attended and fully represented in COSPLAY.  I was able to spend some quality time working with Frank’s costume for the upcoming Starship Farragut episode, “THE PRICE OF ANYTHING”, which Franks plays CAPT Carter’s father, Gene.

Trek Fan in COSPLAY (Way to Eden)

At our show table, DVDs of all Starship Farragut work were available for pick-up, including the new “JUST PASSING THROUGH.”  Fans also loved going through the photo book containing set construction pics showing from start to finish.  Seeing and interacting with fans is always a delight.  Farragut fan Sean Davis from Carroll County said, “I came here just for this.”

Let’s publicly kick-off the next Starship Farragut feature episode!  Called “The Price of Anything” —- it was initially written by Paul R. Sieber in 2007 prior to leaving Farragut Films to work with Star Trek Phase II. Having co-written Starship Farragut’s pilot, “The Captaincy,” this story (previously entitled, “Fathers and Sons”) had carry-over elements from the pilot and was a Carter/Prescott story.  Since then, Paul has revised and enhanced it greatly.  We collectively believe it’s the right story now, coupled with perfect timing to finally execute on this film and bring this adventurous story to life.

For our most ambitious film to date, we have brought on-board some key individuals that will be instrumental in making this film a success. Starting with the behind-the-scenes professionals, we have:

Vic Mignogna – Director and Special Guest Star

No stranger to Starship Farragut, Vic Mignogna has lent his voice to Starship Farragut: The Animated Episodes. Since he was 8 years old, Vic has been acting for stage and screen, but in the last 13 years Vic has become one of the most prolific and popular voice actors in the world of animation and video games, lending his voice to over a hundred and fifty productions. Even longer than his voice acting, Vic has been a professional music composer / singer / producer who has written and produced hundreds of songs for TV, radio and CD.

At a very early age, Vic developed a passion for Star Trek The Original Series (TOS). Many days were spent, memorizing episodes, building communicators, phasers, costumes, and even rounding up the kids in the neighborhood for Star Trek movies that Vic shot, directed, and played Captain Kirk. In the years that followed, Vic earned a film degree and works regularly writing, producing, and directing all kinds of video and film productions. Nothing brings him more joy than bringing his skills and childhood love together, and after directing and acting in several Star Trek Phase II episodes, Vic is excited to be working with Starship Farragut on the live action series. In addition to directing, Vic will have a special guest role on film!

Matt Bucy – Director of Photography

Matt Bucy is enthusiastic about getting behind the lights and camera for Starship Farragut. He has worked in film and video for forty years on projects ranging from Super-8 experimental shorts to backyard SCI-FI to 35mm mainstream features. Most recently, he won Best Cinematography and Best Picture awards in the Vermont 48-Hour Film Festival for the short “Razor Burn.” Over the last two years he has completed photography and editing on the feature documentary, “The Sons of Tennessee Williams,” which has screened to sold-out houses at Frameline in San Francisco and at the Palm Springs International Film Festival, and which will make its television premiere on PBS in New Orleans this spring. For the past three years, he has volunteered at Star Trek Phase II as a grip, camera operator, and director of photography. He produces and directs behind-the-scenes documentaries, most recently the Seattle-based feature “Judas Kiss,” to be released this year. His film interests range widely and his award-winning experimental work has been screened frequently at underground festivals. Over the past year, he has completed photography on several shorts, including “The Tryout,” “Dear Edward,” “Razor Burn,” and “Violin Case” and is scheduled to shoot more short projects this year starting in March.

Todd Habercorn – Assistant Director

Todd Haberkorn has been involved with film productions for many years – attacking the industry from all aspects – in front of, as well as behind the camera. For “The Price of Anything,” Todd will be lending his Assistant Director experience to the project. When he isn’t working on live action projects, Todd is a voice actor for video games and anime. Some of his most recent video game titles include Rune Factory 3, Lufia: Curse of the Sinestrials, and Lux Pain while his recent anime projects are Dragon Ball Z, Full Metal Alchemist: Brotherhood, and Summer Wars. Todd also travels the country as a guest to anime conventions and enjoys meeting fans of the titles he has worked on in the animated world. His media company, Out of the Office Productions, keeps him busy as well with independent features as well as industrial work.

Sam Rooks – Lighting Gaffer

Sam Rooks is a local Jacksonville photographer and filmmaker, with a passion towards producing. He has been involved in many areas of film-making, including producer, property master, and electric gaffer. Sam was an extra in the movie “Lonely Hearts” starring John Travolta, as well as HBO’s “Recount” starring Kevin Spacey, where he was a political consultant to Producer Mike Hausman. He has photographed the Miss America First Coast Pageant and the Miss & Teen Jacksonville U.S.A. Pageants, produced such short films as “Within the Heart of a Child” and “Grandma and the Fly” and was dolly gaffer on the short film “Planting Hope” produced for Jacksonville’s domestic violence shelter, Hubbard House. Sam has been instrumental in equipping all sets with lighting and set construction.

Guy Davis – Animator and Storyboard Artist

G.S. (Guy) Davis is a comic book artist/animator living in colorful Colorado. He holds a Bachelor’s of Science degree in Animation, with a specialization in 2D (Hand drawn) animation. Having learned how much he loved to tell stories, Guy began writing comics in 1995. Not much has changed since then and today he still tells stories, working away on his current project: a Star Trek fan comic about the life and times of a Federation Destroyer called “Tamerlane” (http://www.usstamerlane.com). Currently, Guy is working on the Tamerlane episode “Weave.”  In addition to doing the storyboards for Starship Farragut’s “Just Passing Through”, he has worked extensively on both of the Animated Farragut episodes with NEO f/x.

These are just some of the key folks behind the camera that will be working on this film; I will mention others on another blog update (e.g., Sound Engineer, post-production team NEO f/x) such as our Line Producer (Production Manager), which I will personally be relying upon greatly on this effort!

In front of the camera, we have some newcomers to us, but known to others.

Frank Hernandez – Gene Carter

Born in Manhattan, NY and raised in Jackson, NJ where he still resides with his wife Gina, Frank Hernandez began his acting career by auditioning for a local theatrical production of “1776”. From there, his roles included “Carl, the Bus Driver” in “Bus Stop” and “Mendel, the Rabbi’s Son” in “Fiddler on the Roof” later followed roles in “Our Town”, “The Importance of Being Earnest” and the Ocean Country College production of “1776.” Since moving from local community theatre to media, Frank has been on the set of many television and movie productions, but is more widely recognized for his portrayal of the character “Declan” in “Star Wars: Revelations.” Frank also played “Agamemnon” in the episode “Greece” in the series “Engineering an Empire” on the History Channel and can also be seen in many of the second season episodes of the Science Channel show “Sci-Fi Science physics of the impossible.” Not a newcomer to Farragut Films, Frank plays “Suarez” is in United Worlds Entertainment’s SCI-FI film, “POLARIS,” which Farragut Films is working in association. As an avid Star Trek fan, Frank is very excited to be working with us on this production where he will play Captain Carter’s father, Gene and will have an instrumental part in this film.

Cheralyn Lambeth – Romulan Commander

Cheralyn’s acting pursuits include working in various commercials, as well as TV shows, including “One Tree Hill,” the Sci-Fi Channel show “IQ 145,” an episode of the CNN International program “Future Summit,” and the film “The Key Man” (alongside Jack Davenport of Pirates of the Caribbean). She was also a principal character in the History Channel docudrama “Isaac’s Storm,” which premiered in the fall of 2004 and can still sometimes be seen on The History Channel (THC).

Somewhat fascinating is Cheralyn’s impressive costume work.  She began creating her own costumes and creatures at an early age, when her mother finally refused to make any more odd costumes for her at Halloween. Cheralyn carried this passion with her into college at UNC-Chapel Hill where, after having failed miserably as an Air Force Reservist, she decided to major in something much more useful such as Dramatic Arts and Radio/TV/Motion Pictures. Shortly after graduation, Cheralyn relocated to New York to study costumes, wigs, and make-up at the Juilliard School, and earned her first fifteen minutes of fame performing Off-Broadway with John Leguizamo in Mambo Mouth. She then moved to Minneapolis to help create Muppet costumes for Sesame Street Live! (as well as a large purple bunny for the film The Net), and returned to New York a year later to work with Jim Henson Productions on the TV series Dinosaurs! and the film The Muppet Christmas Carol.  After her time at Henson, Cheralyn worked with Paramount Production Services, creating costumes and props for Paramount properties such as The Star Trek Earth Tour, Titanic: The Movie on Tour, and Star Trek: The Experience at the Las Vegas Hilton. Some of her other credits include work (both in front of and behind the camera) on Mel Gibson`s The Patriot, and costuming work on the Park Service historical film Manassas: End of Innocence directed by Star Wars sound specialist Ben Burtt. In addition to her costume work, Cheralyn has served as play-tester for the Star Wars RPG Mission to Lianna, and has written articles for such genre-related periodicals as Bjo Trimble’s Sci-Fi Spotlight and Con-Tour Magazine. Cheralyn’s most recent costume work includes the New Line Cinema feature film The New World starring Colin Farrell, and Evan Almighty (the sequel to Bruce Almighty). She currently lives in Charlotte NC and works as a free-lance costume/prop/puppet builder, as well as putting the finishing touches on her first book The Well-Dressed Puppet, scheduled for release later this year.

Brian Holloway – Romulan Soldier

Brian began his theatre career at age seven when he appeared in a regional theatrical production of “Fiddler on the Roof” with his father. Although he worked on other productions, he dabbled in the medical field for a short time, but could not be kept away from the bright lights and appeal of the stage. After receiving his BFA in Performance Arts, he toured nationally with several theatre organizations for about seven years and could be seen headlining in Productions ranging from Shakespeare’s “Much Ado About Nothing” and “Henry IV, parts I & II” to musicals like “Big River”, “Man of La Mancha”, “Kiss Me, Kate” and “Jekyll & Hyde.”

He got into the SCI-FI realm when he was still in high school and has been a regular convention attendee since he was 15. He has also received theater degrees in costume and makeup design and has won National and regional awards for his design work. He even had costume designs for an original theatrical piece “HOTLINE!” displayed at the Kennedy Center in Washington, DC. While in Utah, he was fortunate to befriend an actress, Paula Crist, who served as an actress and stuntwoman for productions like “Star Trek: The Motion Picture,” “Battlestar Galactica,” and the TV series “Planet of the Apes.” Paula got him connected to the film industry and he has been fortunate enough to land limited work in such productions as “The Patriot,” “Last of the Mohicans,” “Domestic Disturbance,” “Doctor Who: The Movie,” HIGHLANDER: The Series,” “Shallow Hal,” and Star Trek. Brian is currently the Special Make-Up F/X Supervisor for Star Trek: Phase II. Brian now lives in Charlotte, NC and is also a noted costumer working with fellow Cheralyn Lambeth, the 501st Squadron, and SCA Wardrobe Guild.

On behalf of the Farragut Films’ management team, “Welcome Aboard!”

Again, these are just some of the many folks that will be working on “The Price of Anything.” Future blog updates will provide introductory remarks for other key folks, as well as progress reports and happenings.  Damn the torpedoes, warp speed ahead!

Stay tuned for the next blog on MEGA-KHHAAAAANNNN! I mean, MEGA-CON.