Archive for the ‘Spotlight Series’ Category

Tailoring to Starfleet 1701st’s Steve Thomas

06/07/2010

For this blog, I’d thought I’d direct some focus on the costuming aspects of Star Trek and Starship Farragut.  Much of what Farragut Films does with respect to producing the online series, Starship Farragut could be considered a “period piece.”  Just as American Revolutionary War reactors take pride and attention to detail with their military uniforms, so do we with the Starfleet uniforms of 1960’s TREK.  We’re talking about a TV show that is over 40 years old and we’re going for accuracy of the same patterns, fabrics, and colors of the 3rd season of Star Trek.  No detail is overlooked – whether having the fabric professionally dyed to match uniform swatches dating back to the original series, having the exact pattern of the rank braid embroidered, or having each costume tailored fit for each actor and background actor – every painstaking detail is applied to making this production as accurate to the exact look and feel of CLASSIC TREK.  After all, we pride ourselves on making, “CLASSIC TREK NOW.

We strive for authenticity with our Starship Farragut productions for a couple of reasons.  One, we’re fans ourselves, which means that we’re meticulous about details of Star Trek just as other fans are.  It is out of great respect and homage to the show itself.  Second, we know that if we don’t make every effort to go for the same look and feel – regardless of costumes, but including the sets, props, ships, etc. used, we will get pinged on this by the fan community.  Despite not having a Hollywood budget, we are committed to doing all we can realistically do make quality new episodes of Star Trek.  However, after almost five years now, I tend to think of ourselves as our own identity.  Gene Roddenberry often described Star Trek as “Wagon Train to the Stars” – I think we’re more like “Space Gunsmoke!

Anyway, I digress – getting back to the topic of costumes; I thought I’d interview someone who has been key to me in terms of providing support to me on the costuming front.  I should quickly point out that there are several other people have been instrumental on this front, including James Cawley, the Executive Producer of Star Trek New Voyages/Phase II, Tony Lawrence of the Star Trek Uniform Guide – an online resource that I became acquainted with years ago, Kathy Pillsbury who supplied me with my first few Star Trek costumes in the late 1990’s prior to me learning how to sew and make them myself, and lastly – the private collectors of original Star Trek costumes that allowed me to document/picture their collectibles for reference.  In time, I hope to also interview these folks for a future blog post.

Steve Thomas runs the Starfleet 1701st forum, dedicated to Star Trek fans desiring accurate replicas of Star Trek uniforms.  This website covers the entire gamut of Star Trek – from the uniforms in the initial two pilots, the original series of Star Trek, the movies, and other TV spin-offs, his forum provides a clearinghouse of information of folks exchanging information to assist each other.

Its good to speak to someone who appreciates the costumes of Star Trek.  You’ve truly taken an active stance managing the Star Trek 1701st forum with countless hours researching information and providing to the public.  Why do you think you’re enamored by the uniforms of Star Trek?

And thank you for your interest! First though,  I must correct you in that; the forum is an aspect of the “club” “Starfleet 1701st”. Inspired by the Star Wars club “501st Legion”, the Starfleet 1701st is helping members and fans make accurate recreations of the Starfleet uniforms, for gatherings, clubs and events! I believe our board is the first dedicated solely to Star Trek “Starfleet” uniforms!

As to the uniforms, I wouldn’t say “enamored” but appreciative of the work and thought that went into (most of) them. When I joined “Starfleet International” which was prior to the release of TWOK, I knew I wanted to have a uniform of some type. With that club, chapters are “starships” and the members “crew”. Thus we usually dress for the part which means “uniforms”. When the TWOK uniforms were revealed, at first I recoiled because they were so radical to the TOS design, even the TMP design. After seeing the movie, I decided I liked them! So was the start of my journey into Star Trek “Starfleet uniform” fandom!

I’m always fascinated by the fandom of Star Trek!  So, do you consider yourself a fan of the original series or all things TREK?

“TOS” very much so! It was the first that fired the imaginations of so many. I do appreciate the other incarnations, but I’m most fond of TOS. The other Treks, even TNG, don’t have the magic that TOS did. Of the other series, I liked “DS9” best. It showed another aspect of the Star Trek universe not seen before. “Voyager”  had an anthological aspect to it that I liked.

Do you own any original costumes?  If so, what are they?

I do not possess any as of yet. Actually re-creating the outfits has been more of interest. I’ve had opportunity to examine some of the actual outfits, but really have no desire to own one… unless if I can wear it in addition to displaying! It’s one thing to have it, another to wear it! Of course with Anovos preparing to commercially offer accurate recreations of these outfits, I will be happy with those too, but mainly, I’ve been keen on recreating the outfits as so many of us do.

I do collect mostly toys and memorabilia. I have about a $10-12K collection from over the years.

Some of Steve's Costumes (TNG-Style)

I learned that you do not sew, which surprised me.  You have a wealth of information through your forum, so I have to ask where you get your own costumes made?

No, I don’t sew but am fortunate and wise enough to find people who do and can assist. I’m like the “mission commander” of the club. I am president of the club and maintain the board, but it’s our “mission specialists” (our “Quartermasters”) who have specific sewing and/or uniform knowledge.  I have been fortunate to know a couple of folks in my area who are quite talented when it comes to these outfits.

Shoreleave 1987, Steve in Front & Center

You’ve seen episodes of Starship Farragut – what are your thoughts on our series overall and in costuming specifically?

For Farragut specifically, I like that it’s the stories of another ship of the fleet versus just the Enterprise; same for Exeter. It would be nice if all the original 12 could be represented! Your uniforms are quite well done! They fit well and it’s nice to see the Farragut insignia in addition to the familiar Enterprise. I’ve always liked that concept of each ship having its own distinctive insignia, just as each aircraft carrier has its own logo. Those field jackets were a nice touch too!

As I am a TOS fan, I really like and appreciate “Starship Farragut”, as well as Cawley’s “Star Trek Phase II”! I was sorry that “Starship Exeter” went under, though I understand “Star Trek Excalibur” is making a comeback after their misfortunes of past. With all your productions, I especially like the faithfulness that you’ve put into these productions. It’s what I call “heart”, something the Hollywood productions lack, even though they had fans working them.

And John, you must tell me who makes your unis! I can certainly send business their way if they’re amenable!

Thanks for the compliments – I’m the main costumer, but do have a couple of costume assistants that help me.  I’m not interested in taking orders – filming Starship Farragut adventures is a full-time job!

With last year’s JJ Abrams film of Star Trek – how did you like the homage to Bill Thiess’ original uniform design?

What I didn’t like was the mish-mosh of styles that didn’t really make sense (especially those butt-ugly Academy staff outfits!), though I understand Kaplan was paying homage to what went before. I hope that the ’12 movie will be more consistent concerning those uniforms.

The duty uni is not bad. Just little changes I would’ve made: using gold iron-on braid instead of silver and placing the ranking higher on the sleeve like TOS; blousing the pant leg over the top of the boot; tucking the shirt in when wearing the equipment belt.

I appreciate your time Steve; thanks for your hard efforts in providing a resource outlet for Star Trek costuming.

You’re welcome John! I’m happy to do what I can to help folks make the best-looking and most accurate Starfleet uniforms possible; getting away from “good enough”. Because so many now own the actual outfits from auction, there’s no need or excuse for “good enough” anymore.  I invite folks to look our board over and if they like what they see, to join the “Starfleet 1701st”club and help us in our on-going mission!

http://starfleet1701st.yuku.com/

Farragut Spotlight: Leslie Hoffman

09/24/2009

Leslie_SPFor those that don’t know, Leslie Hoffman is a 30+ year stunt veteran of the Hollywood industry.  Her accolades and TV/film credits are listed on both IMDB and her website.    Most germane to this discussion is her professional Star Trek affiliation, and working with Starship Farragut as our Stunt Coordinator.  I thought I’d take a moment to shine a light on Leslie:

As you know, there are no “new” episodes of CLASSIC Star Trek being made for TV distribution.  Being part of Starship Farragut, we pride ourselves in making “CLASSIC TREK NOW.”  From a Trek-fan’s perspective, describe what you like about our show and how it compares to Gene Roddenberry’s original vision.

First off, thank you John for asking me to do this interview.  Starship Farragut indeed captures Gene’s original vision.  Farragut comes up with new and exciting stories. Which, if you think about it is quite a feat to do, considering all the stories that have been written for TOS and it’s following movies.  I would like to include TNG, DS9, Voyager and Enterprise series as well.  For Want of a Nail is a perfect example.  Even the ending leaves you thinking, “What if???”  I believe Gene’s vision was to think of the future and how we can keep reinventing ourselves or to talk and understand others to make life better for all.  Not by Dictatorship but by peaceful resolution of all.  Gene was a contemporary and a continuation of Rod Serling.  I believe both had this vision.

Playing Star Trek Professionally

Playing Star Trek Professionally

Having been involved officially with Star Trek shows, specifically, Deep Space Nine and Voyager – how does our approach compare to Hollywood standards, keeping in mind that we’re volunteer-based and don’t have the Hollywood budgets to back our efforts? 

I believe you are more professional than the “Professionals”!   The “Hollywood Standard”, has two meanings to me. The first means “A List Actors”, the script, the Writer, the Director, special effects, sets, costumes and stunts. Now, with the quality of cameras and computers, Award-Winning Projects are being made outside of Hollywood for a lot less money.  This is the new “Standard”.  The second “Hollywood Standard” which means much more to me personally is how a Production is filmed.  A tired angry crew lowers safety on the set as well as the quality of what is being filmed.  That is why the Screen Actors Guild was created in 1933.  Working with the Farragut Team was a joy.   That you took the time to become Signatory with SAG shows your love and commitment to this crazy Industry.  Thank you for honoring my request to you.  A thank you should also go to Michael Struck of NEO/fx.  NEO f/x did the right thing and became SAG Signatory with the Animated Farragut project at the advice of Chase Masterson.

Related to the question above, the Starship Farragut’s project is very much a collaborative one, how do you think that it has either helped or hindered what you observed during your involvement with us on the film, “A Rock and a Hard Place”?

“Between a Rock and a Hard Place”, due to the respect that you have for all, we never had one heated argument or the threat of a “diva” walking off the set.  In my thirty plus years in the Industry, I have seen it all and Starship Farragut is equal to my experiences that I had on M*A*S*H.  The Farragut Team was and is always cheerful and my special memories of singing Broadway songs will always be near and dear to me.

Being a long-standing member of the Screen Actors Guild (SAG), where do you foresee the independent and Internet films going in the next five years?  As you know, there is a “revolution” taking place where talented folks are able to put together quality films without a Hollywood budget and can distribute their films to a mass audience using the Internet as a distribution point. 

More and more with the improvement in equipment technology, films are being produce outside of Hollywood and winning awards.  In the last couple of years, look at what movies are winning the Academy Awards.  Winning Independent Films are already being made and there will be more.  You have a better chance making money for a theatrical or television release.  Another way is to distribute straight to DVD….excuse me is it Blu-ray now?  As to the Internet, great Productions are also being made but to think money through the Internet that will be made to support oneself, is a mere fantasy at the moment.  There is very little control on the Internet so the minute your project is uploaded it WILL end up on HULU or such.  It may be a stepping stone to something better but please be realistic, do not put your life savings into an Internet Production.  Be wise, have fun but keep a roof over your head.

Lastly, are there any other thoughts you’d like to share about working with us or about Starship Farragut in general?

You always make a person feel welcome and appreciated.  My trophies that I have received from you are proudly displayed in my house for all to see.  Also, I would love to congratulated and reminisce my trip to St. Marys, Georgia this earlier this year to be at the opening of the Farragut’s new studio.  I was so impressed by the amount of people that came to the Open House.  We all had a blast down there.  : )  Sharing the love of Classic Star Trek with new friends who drove many miles to be there. The Great People of St Marys, late night bond fires, and even later night Star Trek trivia games, laughter and smiles and my first trip to Sonic – LOL – quite a memorable experience all around.

Thanks Leslie, we all look forward to enagaging you again as our Stunt Coordinator!

Farragut Spotlight: Mark Hildebrand

08/26/2009

For the next “Farragut Spotlight” – I’d thought I’d put Mark Hildebrand on center stage!  Mark is a Producer on the Starship Farragut project; he has acted, directed, written, and provided other countless contributions for our Internet series.

SP_Mark

Mark, as you know, there are no “new” episodes of CLASSIC Star Trek being made for TV distribution.  Starship Farragut prides itself on making “CLASSIC TREK NOW.”  Being an important member of the Production Team – how does it make you feel? 

It feels great!  It’s an amazing opportunity to take a show that we love, and that influenced us so much growing up, and bring it back to life!  I believe in the original vision of Star Trek – a bright future where we send the best of mankind into space to work with other cultures.  A future where we have grown past our own shortcomings, but are still very much human beings.  With Starship Farragut, we can tell new stories in the galaxy of the Federation and Captain Kirk, but can tell them with new and original characters.  It gives us a lot of creative freedom to work in a familiar environment, and hopefully improve on many aspects of production with the technology available today.  I’m very happy that we are firmly based in the Classic Trek time period, because I love the look of the original sets, props and ships.  Starship Farragut is as much a “period piece” as Mad Men or Master and Commander.

Agree!  You wrote FOR WANT OF A NAIL (1st Award Winning Episode), which was very much historically driven, and are currently writing the script for DAMN THE TORPEDOES, which I noticed is also very historically driven.  Are you a history buff and if so, do you prefer Star Trek episodes that have historical tie-ins?

In both cases, the story concept came from someone else.  You had the idea of a story that involved George Washington, which evolved into “For Want of a Nail”.  Coincidentally, I spent many years as a Revolutionary War re-enactor back in high school and college.  So I was able to use that background to write a story and screenplay that was accurate and believable.  It also helped with casting, as we were able to work with some old friends of mine that are still involved in living history.  As a matter of fact, Mike Steen and Jim Rockwell are two of my oldest friends, and they came up with the outline for “Damn the Torpedoes”.  The original Star Trek series referenced history all the time, both real and future history (like the Eugenics Wars).  I am probably not the only person that wanted to learn more about a particular subject they touched on, and did further research.  I hope that our audiences will want to do the same.

Mark in "For Want of a Nail"

Mark in "For Want of a Nail"

On developing a screenplay, can you describe your process from taking a story treatment, which may only be three pages and developing a script that is roughly 70 pages (an hour long episode).

First of all, it has to be a good story.  I really don’t see the point of doing an episode about a character or piece of technology that doesn’t have an intriguing story.  I have to care about what happens to the characters, and I want it to be entertaining.  Luckily, we have a great framework in emulating the original Star Trek series.  We know that there is a teaser and three or four acts, and a familiar structure to the pacing, action and tension.  The dialogue is easy, since I know the main characters and the actors that portray them.  I try to be visual when I write, describing what the camera and audience is seeing, instead of referencing camera angles.  I also try to share my work with the Farragut producers as I am working on it, to get their feedback and input.

Since the Starship Farragut project is very much a collaborative project, how does that help or impede the script development process?

Well, sometimes the input and feedback from the producers can be frustrating.  But only because they have pointed out something that needs to be changed, or because I haven’t explained it well enough in the script.  Ultimately, the episode won’t get made without them, so the collaboration is an important process.  These things need to be ironed out before going into production, or they can be a real mess when filming or editing!

Thanks for your time and your countless contributions Mark.  It goes without saying that you’ve  helped STARSHIP FARRAGUT continue its mission!


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