Ralph Miller, Star Trek’s “Audio God”

03/15/2010 by captaincarter

Ralph M. Miller

I’d like to refer to Ralph M. Miller as the “Audio God” of Star Trek fan films. In addition to working on Starship Farragut, he has also worked on Starship Exeter, Star Trek: New Voyages/Phase II and Star Trek – Of Gods and Men. In addition, Ralph’s professional credentials also include other movies – Just Desserts, Bonnie and Clyde: End of the Line, and InAlienable, which featured an assortment of Star Trek alumni in a sci-fi trial movie. Ralph is known for his talents in Sound production. When working on a film, Ralph wears many hats: Sound Designer, Foley artist, sound effects editor, ADR recordest, boom operator, production sound mixer and music editor.

Well, Ralph – you’ve got quite an impressive resume as it relates to providing sound work. How did you get involved doing sound work for Star Trek fan films?

Like most of us involved, way back in 2004 I saw Star Trek New Voyages “Come What May” and “Starship Exeter” on the Internet. My first reaction was “WOW!” I was so impressed with the sets and special effects, but the sound quality of both productions was not the greatest. So I contacted the producers and offered to help with sound design for their next episodes. At first I did not hear back from them, so I sent them each a demo CD. With in 24hrs I received a phone call from both.

Mixing in Star Trek New Voyages' IN HARMS WAY

I have been working hard to build a reputation for my sound design work, and as a result, I have been fortunate to have been approached by other quality productions such as “Starship Farragut” and “Of Gods and Men.”

You’ve also provided voice work as well. For Starship Farragut in particular, you’ve been the Farragut’s computer in the live action series and a Gorn in the animated adventures. What other voices have you lent for film projects?

I haven’t had as many opportunities as I have hoped for. It is a tough business to get into. I do a lot of background voices in the episode and in some cases, the actors are not available for looping (ADR) sessions, so I have to mimic their voices. I usually get away with it undetected. “The Gorn” and “The Guardian of Forever” for Of Gods and Men” are the two that I am most proud of.

A Favorite Element of Trek Fan Films - The Guardian of Forever

Mentioning Starship Farragut: The Animated Adventures, please describe what it was like working on this project. I would think that it would have been a change of pace, considering that most projects you’ve worked on have been live-action and this being animation. 

Revitalizing the 'Gorn"

It has been a real joy to work on the Animated Adventures. First let me say, NEO f/x has been wonderful to work with. I have put a lot of effort into making it sound exactly like the original cartoon, from using the same sound effect, and to using the original music.

With the Internet being so viral and computer technology enabling folks to make their own videos -what are your thoughts on this? Do you think that there is a ‘film revolution’ taking place? Do you think that Hollywood and the film industry are changing business practices to compete or to raise their quality of their films?

Yes! Times are changing Big Time! I believe that one day all media will be on the Internet.

Working on Star Trek New Voyages' WORLD ENOUGH & TIME

You’ve provided some great comedic video clips on YouTube, including being a Klingon Commander battling words with Kirk and playing President Nixon in contemporary times. Any other comedic video projects you’d like to mention?

Well, I have a new one, “Star Wars/Geico” –a commercial spoof that is pretty funny. I have more projects in the pipeline. Please stay tuned.

Thanks for your time. It was great talking with you and learning more about your sound work. For those interested, you can see Ralph’s YouTube work at:
http://www.youtube.com/user/rmsinc#p/f

Set Construction Interview with Mike Bednar

03/09/2010 by captaincarter
Ron Simkanich is one of our dedicated volunteers from the Jacksonville area and is a committed worker to getting Farragut’s sets completed in St. Marys.  Ron recently interviewed Mike Bednar regarding set construction efforts: 

Tell us a little about the different projects going on at the St. Marys’ studio.

Well, we have one main project and that is to build replicas of the sets from the original series of Star Trek.  To break that down, we are currently working on the transporter room, corridors and the Captain’s quarters.   We should have the transporter room completed within the next couple of months.  There really isn’t that much to do for this set beyond the final detailing.  Also, the Captain’s quarters simply need some sanding and painting and then the furniture can be fitted.

Additionally, we are working on the Bridge, which has levels of completion geared toward our filming schedule for the year 2010.  Our first goal with the bridge is to complete the science station through the engineering station and the command deck.  Only these areas are needed to complete our next feature length film.  As we move forward, additions will be added to the bridge until we complete the full 360 setup.  Just as the original bridge had removable sections, we too plan to implement that practice to provide our Director of Photography (DP) the ability to obtain those memorable shots that we have seen in the original series.

Coming Together - The Bridge

Tell us about some of the measures you are taking to build the sets as authentic as possible to the original series of Star Trek.

It’s in the details.  There are a number of individuals that have contributed their knowledge and research of the original sets to help us with our attempt at recreating them.  The information we have been provided as well as the library of screen captures we have at our disposal guarantee that the final product will bring back many memories for everyone.  The only issue that I have with the sets is the changes that were made throughout its three seasons.  Which ones do we use?  Which looks better?  Which ones will the fans recognize over the others version?  All of these questions have merit and the fans will certainly tell us if they believe something is wrong. Trust Me!

I have also moved my entire TOS DVD library to the Farragut Films Studio with a computer to provide instant reference when we are working on the sets.  It curtails many lengthy discussions on how things are remembered.  :)  

What have you found to be your biggest challenge during your involvement with the project?

The biggest challenge is working on a large scale project such as this with limited time and money, and the fact that our sets are located a great distance from where we live. Each of those challenges is made easier by the fact that so many people have been willing to help us with everything we do.

While time is short, we have volunteers who not only work with us when we are working on building sets, making costumes, manning booths at conventions, etc. but they also do those things and many other tasks, such as running the website, writing scripts, burning DVDs, doing special effects and editing, public relations; as well as a lot of other activities on their own time. This keeps our project moving along at a constant pace and prevents stagnation.

Even though we have limited funds, we have many people who donate materials, money, Lowes and Home Depot gift cards, not to mention their skills, talents and energy, all of which means we can create high quality productions on a shoestring or as John would say, “a thread-string” budget”.

Despite the problem of distance, we are lucky to have a wonderful host family in Georgia, Kim and Brian Watson, who provide meals and lodging for the producers when we travel to St. Marys to work on sets and do filming. This makes it possible to have a home base to work from, and the 12 hours we spend driving to and from the studio is worth the time and cost of fuel when we have such great hospitality to look forward to.

Have you encountered any challenges with completing the Transporter console?

Well, the biggest challenges to completing the transporter console is the same challenge I face in everything I do.  Time, there simply isn’t enough time in a day to get what I want done.  I brought it back from GA to my home in MD thinking that I would work on there in some of my “excess professional time,” but that took a back seat to renovations I’m doing at my house and my favorite toy in my parking space.  I work better under pressure.  It will get done and be on time.  I guarantee it!

We Build Strong

Transporter Hood/Ceiling

Can you tell us about the work crew talent?  We see a lot of pictures of them standing around.  Is there enough Indians or too many chiefs?  Who’s doing the work?

Wow, I don’t know where to start.  I’ve been working with some individuals to get the sets built, but there are four that really stand out and have contributed greatly to the set construction.  Greg Greene, Ron Simkanich, Royal Weaver, and John Broughton Sr.

John Broughton Sr. has been instrumental in laying the foundation for all of our sets.  We have provided him with technical drawings and he has provided us with works of art.  He’s just amazing.

Hard at Work: John Broughton, Sr.

Greg, Ron, and Royal have won the Farragut Family over with their dedication and strong commitment to seeing this project through to its completion. Even in our absence they continue to work on the set building process when we can’t be there. This of course helps speed up the process and allows us to focus more on the details. 

3 Musketeers - I mean, Farraguteers: Ron, Royal and Greg

The open house we had last year was so successful that the need to do it again was apparent.  We don’t have a date set yet due to continual efforts to build.  But, when they are complete we will make an announcement so that any Star Trek fan will be able to walk onto the completed sets.  It will be an experience better than the last.

How does Captain Robert Tacket sound?   Any desires to be a starship captain?

I don’t know of anyone that doesn’t want to be a starship captain, including myself.  However, there is no need for that when we have our very capable and deserving Captain Jack Carter.  John and I have been friends for quite some time and I have no plans of knocking him off.  :)   I’m quite content being the first officer. 

Captain Tacket

Thanks to both Ron and Mike for this interview.  We continually get inquiries about the status of our sets and appreciate the update.  Click on here to see more pictures of set construction.

SCI-FI Make-up Artist Carol Crouse

03/05/2010 by captaincarter

As folks may know, Farragut Films is working with United Worlds Entertainment on the original SCI-FI film project, POLARIS. I thought folks would be interested in learning more about the various cast and crew members working on the project, and for the first interviewee – thought we talk with Carol Crouse who led Make-up for POLARIS.

SCI-FI Make-up Artist, Carol Crouse

Carol lives in California and is no stranger to doing make-up for SCI-FI. She has been involved with Star Trek – Hidden FrontierFrontier Guard, and Star Trek: New Voyages/Phase II – “The Child” and “Kitumba” (not yet released). Outside of make-up activities, her professional background and hobbies includes teaching High School art classes in the Los Angeles Unified School District for 35 years. Besides teaching art, she also enjoys drawing portraits, watercolor paintings, and working as a cake decorator.  Regarding her cake decoration skills, Carol proudly states, “I can, and have, put anything on a cake, some designs you wouldn’t believe!”  In addition to putting odd things on cakes, she’s put odd things on humans to turn them into aliens!

Alien Prostethics

Frontier Guard Make-up

Before we begin the interview, I thought I’d share some quotes from those that have worked with Carol:

Dennis Bailey (Creator and Executive Producer of POLARIS) - “Carol was delightful to work with.  She understood exactly what was needed and how to accomplish it.   And she’s a great person who contributed a lot to the high morale on the set during some very long shooting days.”

POLARIS Make-up

Rob Caves (Executive Producer of Hidden Frontier and Frontier Guard) - “Carol is a very skilled artist and an absolute delight to work with!  She brings a strong work ethic and brightness to the set that is invaluable.”

It would seem that Carol has a good reputation.  :)  

* So, how did you learn or become involved with POLARIS?

My good friend Doug Caprette – who also recruited me for “Star Trek: New Voyages” – asked me if I would like to get involved with doing makeup for “POLARIS,” and I said “yes.”

Prosthetics Workshop

* I take it that you’ve known Dennis Bailey?

No, not before starting to work on “POLARIS.” He and I exchanged emails prior to the shoot, to work out makeup needs, and Gina Hernandez’s effects make-up, but we had not met until I walked into the studio.

* I take it that you’re a Star Trek fan having working on two independent Star Trek fan film efforts.

I’ve always liked the original series, and some of the later stuff, and movies 2, 4 and 6.

* Do you plan to come out to the remaining film shoots for POLARIS later this year?

At this time I am planning to do makeup for the upcoming green screen shoot. Hopefully I’ll be able to make it to all of them.

* Any tips to those INDY SCI-FI film projects whose budgets are extremely limited – in regards to make-up department?

Some things simply can’t be done on the cheap, especially now that most filming is being done in HD format. One thing I do is compare prices and quality for the more expensive items such as foundation and eye shadow. If possible, I try to make some items do double, or even triple, duty. Not wasting materials saves a lot of money. This requires being organized. One thing I do is use wax paper for my palettes, labeling each one with the actor’s name, therefore not having to start fresh each time I do touchups that day. (I always start fresh each day). I don’t mix too much foundation at a time, thus reducing waste.

* POLARIS has a lot of people involved from various TREK productions – to include, STARSHIP FARRAGUT, INTREPID, EXETER and PHASE II – what’s your thoughts on the culmination of cast and crew members from those effort coming together on an INDY SCI-FI film project?

I think it’s great! You’re getting an experienced, knowledgeable group of people who know each other’s strengths, and know how much they can be depended upon. And it’s a terrific opportunity to meet new people and find out about other SCI-FI projects.

* Agreed.  In addition, Dennis and the rest of the cast and crew are great folks – working with them adds personal rewards to the experience.  Do you have any other upcoming film projects?

I’m doing a lot of makeup for Hidden Frontier this spring: shooting is nearly every weekend, sometimes both Saturday and Sunday. Other than that, I have no other projects. However, I am planning to learn airbrush makeup in the next few months. That’s something I’ve wanted to learn for a while now.

Thank you for your time Carol. I enjoyed meeting you and working with you during our December film shoot on POLARIS. Stay tuned for other POLARIS cast and crew interviews coming soon.